“Choosing your Narrative Distance:” What writers can learn from Alice Munro’s “Lives of Girls and Women”

Alice Munro’s Lives of Girls and Women gives us an amazing chance to discuss narrative distance, pacing, and authorial intent in writing. This is, in part, because it didn’t really…

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“How to Tell a Story Without Fighting:” A Review of Ursula K. Le Guin’s “A Wizard of Earthsea”

Ursula K. Le Guin’s A Wizard of Earthsea is an enjoyable, important read. Le Guin’s prose is, as always, a sort of poetry and music, and her worldbuilding shows us…

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“Using Emotion in Figures of Speech:” What Writers can Learn from Terry Pratchett’s “Equal Rites”

It can’t be stressed, enough: Terry Pratchett was ahead of his time. In Equal Rites (the third novel in the Discworld series), Terry Pratchett uses his wit, humor, and grand…

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“Layered Conflict and Emotional Scarring:” What Writers Can Learn from Alice Walker’s “The Color Purple”

Literary fiction has a bad reputation for being low on the “entertain-o-meter,” a completely imaginary device that I pretend to use to measure how engaging a novel is. So, it…

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“Commitment to the bit:” What Writers and Worldbuilders can learn from Terry Pratchett’s “The Light Fantastic”

(Quick heads-up before we start: this article contains some light spoilers for the endings to both The Light Fantastic and The Color of Magic.) The Light Fantastic is the second…

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